A free diver finds herself trapped in an underwater cave with only a few breaths to find a way out.
The first draft of AIR was written in a blur over three days. It clocked it at about thirty pages. Pretty short for a feature. But in a script with one character stuck under water, there’s not a lot of dialogue.
Overtime it’s developed into a nuanced story of grief and trauma and the relationship between parent and child.
It’s currently being developed as a feature with an Academy Award nominated producer.